![]() From this starting point, he developed a program for a survey of the national music of South Slavs based on his systematization of comparative musicology (, 1875). His far-reaching goal was to create an awareness of Croatian national music and to establish its place in the context of Central European culture. Kuhač saw the point of the discipline to be that of establishing the laws of any national music, which could then be used as the basis for a national style in art music. ![]() Comparative musicology was, for Kuhač, a discipline which had the task of investigating the dominant stylistic characteristics of the music of any given nation. It is to Kuhač’s credit that he defined musicology with thinking independently about the discipline of music scholarship at the same time that Spitta, Chrysander, and Adler were considering the scope of the discipline. Since the, with Adler's definition of the term, had appeared three years later, in 1885, he assumed-and he died with this conviction-that he was the first to have coined the term. In his 1882 unpublished essay, Franjo Ksaver Kuhač (1834–1911) used and explained the term.
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